Blablabla Media was born in 2005 as a brand but soon it became the platform for the independent film and multimedia projects of its founders, formally adopting the status of Portuguese producing company with a global attitude. Its strategical and widespread network in Europe is written in its genetic code: Blablabla Media is fiscally based in Lisbon (Portugal), has a Northern office in Tallinn (Estonia) and operated from Madrid (Spain) during several years
So far, Blablabla Media‘s work in film has been distinguished with four prizes [MUVI Lisboa’s Grand Prize Award, Temps d’Images’ Best Portuguese Film, FEST’s Grand Prize Award and Impresa’s Convergence Award], one honourable mention, one nomination for “Best film on art”, dozens of participations in international festivals, and showings in venues such as Casa del Cinema (Rome, Italy), Círculo de Bellas Artes (Madrid, Spain), Filmoteca Española (Madrid, Spain), Cinemateca Portuguesa (Lisbon, Portugal), Cinema São Jorge (Lisbon, Portugal), Cinema Ideal (Lisbon, Portugal) or the Unesco’s Universal Culture Forum (Monterrey, Mexico).
Be it feature, medium, short or micro films, the documentary has always been the genre favoured by this company, which manages its production flow as follows: a quota of approximately 50% dedicated to the development of author films intended for television broadcasting and theatrical screening; other 50% to high end commissioned projects — either cultural, institutional or commercial — destined for television, inflight TV, corporate channels, online streaming platforms, newspapers, e-magazines, official websites and public showings in venues.
But Blablabla Media also creates non-audiovisual contents. Up to now, it has produced two theatre plays, composed original soundtracks, published a series of micro-tales’ books and managed a participative web-journal in partnership with the Portuguese portal Clix.
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