Blablabla Media was born in 2005 as a brand but soon it became the platform for the independent film and multimedia projects of its founders, formally adopting the status of Portuguese producing company. In 2019, it opened itself to new genres and authors, betting on a path to be marked by international co-productions

So far, Blablabla Media‘s work has been recognized with dozens of awards at prestigious festivals, alongside several nominations and special mentions. Its productions have been showcased at hundreds of international festivals and screened in renowned venues such as Casa del Cinema (Rome), Círculo de Bellas Artes and Filmoteca Española (Madrid), Cinemateca Portuguesa and Cinema São Jorge (Lisbon), and the Universal Culture Forum organized by UNESCO (Monterrey, Mexico). The company’s films have also been broadcast on television across a wide range of countries, including Portugal, Spain, Italy, France, Greece, Croatia, Estonia, Angola, Mexico, Brazil, the Philippines, and South Africa.

Whether in feature, medium, short or micro films and series, documentaries have always been the favoured genre by this company, which, during its first ten years of life, managed its production flow as follows: a share of around 50% dedicated to the development of author films intended for television broadcasting and theatrical exhibition; another 50% to high-profile commissioned projects — whether cultural, institutional or commercial. Since 2019, however, Blablabla Media has reoriented its activity. Currently, around 90% of its output is devoted to film and television — encompassing non-fiction, fiction, and animation — with only 10% allocated to commissioned and derivative content.

Managing directors: Filipe Araújo, Hemi Fortes

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